I have made two attempts to read Brave New World by Aldous Huxley, succeeding on the second attempt. I gave up the first time (about a third of the way in) because there was ‘something’ wrong with the book, though I could not identify it. About half way through, on the second attempt, I realised what the problem was and identifying it brought a thought about what is wrong with Orwell’s 1984. The problems with these books are different, though caused by the same thing and I will explain what that is.
The Communist Manifesto calls for the abolition of the family. The communists want this because the family fashions bonds which are stronger than patriotism; and traditional, life-long heterosexual marriage is the sealing bond which keeps the family together. A communist state cannot have its subjects living like this because their first loyalty will not be to it, but to each other. This will never do. But a stroke of a bureaucratic-pen cannot abolish the family, as the manifesto demands. No matter how great the state apparatus is, abolishing the family can only happen in slow-motion, and it takes decades.
The first way to start the slow-motion change is to introduce sex ‘education’. Sex education was the idea of a man called George Lukacs. He was an education commissar during the Hungarian revolution. The point was to debauch the minds of children who were religiously brought up. That is why sex education exists. Do not swallow the pathetic and weak excuse about preventing unwanted pregnancy; the truth of sex education is the other way about.
Huxley made sex one of the key ways in which persons are conditioned in Brave New World. Babies and small children are encouraged to indulge in ‘erotic play’ and learn that sexual promiscuity is natural and normal. The exact opposite is true of 1984, in which females are coerced into the ‘anti-sex league’ and chant enthusiastically for the abolition of the orgasm.
Huxley understands that sex leads to children and that means continuing the existence of the family. He sorts this by having humans not born, but decanted, and this further allows the state controllers to tinker with the growing humans to determine their intelligence and class and so on.
Orwell’s proletariat simply live under tyranny and ludicrous intrusion into their lives by the big-brother bureaucracy; and, remember, the thought-police kick the doors in when Winston and Julia are together. No illicit love-making permitted in Airstrip One.
The methods of the two tyrannies are exact opposites of each other, in other words. The thought-police will torture and batter you with clubs, but the authorities of Huxley’s book play soothing sounds from loud-speakers and spray the rioting crowds with soma to deal with mass disorder.
I don’t think Orwell missed the connection between totalitarianism and the destruction of the family by encouraging sexual-freedom, but he was pushing the bureaucratic tyranny to it utmost, and that meant that sexual conduct had to be monitored and controlled, along with everything else.
I am unsure which regime is worse. Orwell’s slaves do not resist because they dare not – the power of the state is total; but Huxley’s slaves do not realise they are slaves to begin with. Both societies are horrid in different ways but for the same reasons, arrived at by different methods. And both writers make a mistake (in terms of story telling) which makes their societies less awful than they might have been.
Orwell’s mistake is to make his society a circle, not a pyramid. There is nobody at the top, living in luxury while the lower orders suffer. It is such a vast state-machine that it seems to function for its own sake; but there needs to be a hierarchy, a pecking order, because it is that which keeps those closest to the top loyal. They are waiting for their turn in the chair, and each person, on each rung, is doing the same, waiting to move up one place. That is how a hierarchy works. Orwell is honest enough to follow his logic and take things right to the edge, but in pushing it so far he reduces the horror slightly. The world of Winston Smith would have been worse if there had been man at the top, keeping power and devising ever more twisted ways of keeping it.
Huxley does the same thing, follows his start-point to its logical conclusion and reduces the purity of the soft-horror he envisioned. Some call Huxley’s book a utopia, or a negative utopia. You can call it whatever you like but it may not be called a dystopia; and it may not be called a dystopia for the very reasons Huxley tried to make it one: The abolition of the family.
Without love and loss, without heartbreak there can be no human tragedy. If everyone belongs to everyone, and can take whoever they like as a sexual partner whenever they fancy it, then no-one is special, no one is loved, and without those things, when persons have no family or emotional ties, there is no horror because there is no loss. Without horror there can be no dystopia.
Huxley, like Orwell, honestly followed his thinking to its conclusion and the book is certainly worth it for that reason, but the Alphas in Brave New World don’t have much to complain about it seems to me. The book is neither a dystopia or utopia, it is a work of social and science fiction theory.
Both could have been more horrific than they are; that they are not shows the authors were dealing first in testing ideas (and remorselessly driving those ideas forward until they ran out of road) and were writing fiction second, not for its own sake but as the medium of delivery for their thought experiments.